Five Year Mission: Boldly Singing Where No One Has Sung Before

Wednesday is the 44th anniversary of one of the top episodes of Star Trek. “Space Seed” aired on February 16, 1967, introducing to the science fiction world the passengers of SS Botany Bay. Fifteen years later, the war criminal on board would reappear and prompt the single greatest word ever uttered in the known universe: “Kahn”*.

“Space Seed” is one of 80 episodes (including pilots) of the original series on the to-do list for songwriters in the Indianapolis band, Five Year Mission.

Five Year Mission

Five Year Mission wants to write a song for every Star Trek episode (image: Chris Spurgin)

I was tipped off to Five Year Mission by a friend’s tweet, not too long after the group had released their first CD—Year One—at a local science fiction convention. The brainchild of comic book store owner Mike Rittenhouse, 5YM has already written and performed original songs for the Jeffrey Hunter pilot (“The Cage“) and the first fifteen episodes of season one. Their second album is nearing completion with songs inspired by the remainder of the first season, plus a few from season two.

Rittenhouse says 5YM intends to release one new CD each year at the annual Starbase Indy event.

The band members—Patrick O’Connor, Noah Butler, Rittenhouse, Chris Spurgin and Andy Fark—claim many musical influences, including the Cure, ELO, Sigur Rós, Wilco and the Beatles. The songs reflect those eclectic roots, sounding at times like a punk band and at others like They Might Be Giants. Wayne Bertsch, a co-owner of Hero House Comics with Rittenhouse, described the group’s sound in a comic strip for NUVO newsweekly: “They’re not just a Dr. Demento novelty act. This is high quality alt-rock. You might mistake a Five Year Mission song for a Weezer song about a girl, not the Salt Vampire from episode one.”

Five Year Mission in Barfly

Barfly raves about Five Year Mission (art: Wayne Bertsch)

The constraint of writing to a television episode provides a creative spark in how each musician interprets the material and turns it into a song. “I think what is amazing is that we have ‘The Cage,’ ‘Menagerie Pt 1′ and ‘Menagerie Pt 2′,” Butler says. “Three separate songs which are essentially the same episode.” He credits that variety to the diverse musical backgrounds of the band members and their collaborative process during rehearsals.

Since the song selection reflects broadcast order, most of the fan favorite TV episodes will be featured on the first three CDs. “Balance of Terror” (#3 on the list of highest-rated episodes, according to IMDB) is on 5YM’s first CD, with Hugo Award winner “The City on the Edge of Forever” (#1), “Space Seed” (#5) and “Amok Time” (#7) slated for Year Two. The following year, the CD will include “Mirror, Mirror” (#2), “The Doomsday Machine” (#6) and “Trouble With Tribbles” (#4). Perhaps the band can sneak in an easter egg on the final CD and write a song for Saturday Night Live’s 1976 classic comedy sketch, “The Last Voyage of the Starship Enterprise.”

“I ended up getting a lot of the lesser episodes they didn’t want to do,” says O’Connor, who like everyone except Fark does a little of everything (guitar, bass, keyboard, vocals and songwriter). “You can have more fun with it.” That hypothesis will be tested for the fourth album when someone has to work with “Spock’s Brain,” considered by most fans (and Leonard Nimoy) to be the worst episode in the series.

The odd duck in the quintet is Fark, who doesn’t write songs and plays only percussion. Tempting fate by wearing the notorious red shirt and serving as the band’s drummer (à la This Is Spinal Tap), Fark may debut as a 5YM songwriter when they tackle “Trouble With Tribbles.” Anticipating the love-hate relationships fans have with the fuzzy infestation, the group plans to write several songs and let their followers decide which version to make the cut for Year Three.

After ST:TOS is complete, will 5YM jump to the other series in the franchise? Band members are taking a wait-and-see approach. By the time the Beatles broke up, the Fab Four had released over 300 songs. If 5YM extends their tour of duty, they could wind up with 726 tunes inspired by the Star Trek television. Another possibility: Rittenhouse originally considered a band themed around Buffy the Vampire Slayer. If that happens, I can’t wait for The Chosen Ones to compose some songs for “Hush” and “Once More With Feeling.”

You can follow 5YM online through their Facebook, Twitter, and YouTube accounts.

* Often spelled “Kaaaaaaaaaaaahhhhhhhhnnnnnnn!!”

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Dork Tower Tuesday

Dork Tower by John Kovalic

Read all the Dork Towers that have run on GeekDad.

Find the Dork Tower webcomic archives, DT printed collections, more cool comics, awesome games and a whole lot more at the Dork Tower Website.

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Advertising Blimps Reach Clients



Advertising Blimps

Everyone has heard of the Goodyear Blimp, but most people are probably not
aware that Goodyear now has a fleet of three blimps. Goodyear started using
a blimp to promote their brand in 1925, and public fascination has grown
ever since. Advertising blimps are a natural extension of that high profile type of marketing.
advertising blimp

11 ft. Advertising blimp with logo – $725.00

Thousands of blimps are used for advertising each year. These
range in size from the fleet of Goodyear Blimps which are close to 200 feet
long and have flight crews of up to 20 people, to unmanned, helium filled
Blimps only 7 feet in length. Blimps are used for advertising because they
cannot fail to draw attention. How many billboards do we see driving down
the highway each day or commercials on TV each night? More than anyone will
remember, that’s for sure. An advertising blimp is something that people
remember seeing because it is different and exciting.
17 ft. advertising blimp

17 ft. Advertising blimp with logo – Made in USA!

Advertising Blimps are commonly used to reach large groups of people. They often appear at
concerts, outdoor festivals, sporting events, air and water shows as well as
big cities on sunny days. Modern technology has enabled companies to print
their exact brand or logo, no matter how detailed or colorful, on blimps
large and small.
Advertising blimps can be customized with lights and
sound, banners and fins. Many companies even offer unmanned, radio
controlled blimps for either indoor or outdoor use. With the use of on-board
generators, many radio controlled blimps can travel over events for hours at
a time. One major use for advertising blimps is to announce grand openings,
special events or major sales. The excitement drummed up by the use of a
blimp can guarantee the success of such an event. Not only will people
remember that they saw a blimp, people from mile s and miles away will be
drawn to it. Many large companies use advertising blimps at large events or
trade shows to increase their brand recognition. It worked for Goodyear,
didn’t it?


Advertising Blimps Reach Clients is a post from: Advertising Balloons

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